There is a petition.
Author: Nicolas Kent (Page 1 of 2)
★★★★ The Guardian
★★★★ Daily Telegraph
★★★★ Financial Times
★★★★ The Independent
★★★★ Time Out
★★★★ The Scotsman
FRINGE FIRST AWARD
I am very proud to sit on the Board of Directors of UK Friends of Healing Focus, an orphanage school in Uganda. We are always extremely grateful for financial help to support the school’s 250 pupils. You can find out more about donating on their website.
“A Starry C-Span Supercut with Bite”New York Times
“A testament to how electrifying real life can be”Huffington Post
“A superb cast … political theater as entertaining as it was urgent”Hollywood Reporter
“As orchestrated by Kent, the portrayals were all smooth, ably laying out for the audience the tension, wit and banality of the committee hearings.”Washington Post
Produced THE PRICE OF OIL with Jack Bradley & Jonathan Myerson for BBC Radio 4 a week-long series of 7 plays exploring the post-1945 HISTORY OF OIL.
26th September- 3rd October 2015
Broadcast on BBC Radio 4
Directing the World Premiere of THE NIGHTMARES OF CARLOS FUENTES by Rashid Razaq based on the short story by Hassan Blasim (Co-produced with Nabil Elouahabi).
July 23rd – 16th August 2014
ARCOLA THEATRE
www.arcolatheatre.com
Co-writing with Denys Hodson and recording an audio-guide to the stained glass windows in St Mary’s Church, Fairford, Gloucestershire. With recordings from: Marcel Berlins, Ron Cook, Jeremy Clyde, Michael Cochrane, Frances de la Tour, Lindsay Duncan, Nabil Elouahabi, Paul Freeman, Celia Imrie, Belinda Lang, Joanna Lumley, Hayley Mills, Bill Nighy, Tim Piggott-Smith, Alan Rickman, Anne Robinson, Mark Rylance, Jon Snow, Zoe Wanamaker & Richard Wilson.
Here is a visual link to the windows.
And here is a sound link from BBC Radio 4:
Directed a reading of my translation of Jean-Claude Grumberg’s NO, I JUST DON’T BELIEVE IT with Michael Gambon & Frances de la Tour at the Cheltenham Literary Festival.
Download script →
Co-produced James Earl-Jones & Vanessa Redgrave in MUCH ADO ABOUT NOTHING directed by Mark Rylance at the Old Vic, London.
