| Year | Production | Author | Company | Notes | Reviews |
|---|---|---|---|---|---|
| 2024 | THE MOST PRECIOUS OF GOODS | by Jean-Claude Grumberg, translator: Nicolas Kent | Marylebone Theatre, London | ||
| 2023 | GRENFELL SYSTEM FAILURE | by Richard Norton-Taylor & Nicolas Kent | Playground, Tabernacle and Marylebone Theatres, London | ||
| 2022 | PLAYBOY OF THE WEST INDIES - the Musical | by Mustapha Matura | Birmingham Rep
| ||
| 2021 | GRENFELL: VALUE ENGINEERING | by Richard Norton-Taylor | Tabernacle Theatre &
Birmingham Rep 2 episodes for Channel 4 TV | ||
| 2019 | HAPPY NEW YEAR | by David Greig adapted by David Kramer | Fugard Theatre, Cape Town | BWW Review A Melodic Exploration of Love in Charming HAPPY NEW YEAR at Fugard Studio | |
| 2018 | CHECK-UP: OUR NHS @ 70 | Mark Thomas | Traverse Edinburgh (Fringe First) and on tour.
London: Arcola Theatre & BAC and Command Performance for the Chief Medical officer for England - Department of Health | ||
| 2017 | ALL THE PRESIDENT’S MEN? | Nicolas Kent | National Theatre at the Vaudeville Theatre & The Public Theatre New York | ★★★★ The Guardian
"A Starry C-Span Supercut with Bite" - New York Times | |
| 2016 | ANOTHER WORLD: Losing our children to Islamic State | Gillian Slovo | National Theatre | ||
| 2016 | DRONES, BABY, DRONES | Ron Hutchinson, Christina Lamb & David Greig | Arcola Theatre | ||
| 2014 | THE NIGHTMARES OF CARLOS FUENTES | Rashid Razaq | Arcola Theatre | ||
| 2012 | LETTER OF LAST RESORT | David Greig | Traverse Theatre also Command Performance for the Admiralty. | Edinburgh Festival | |
| 2012 | THE BOMB – A PARTIAL HISTORY: PART 1 – PROLIFERATION | Zinnie Harris, Ron Hutchinson, Lee Blessing & John Donnelly | Tricycle Theatre | ||
| 2012 | THE BOMB – A PARTIAL HISTORY: PART 2 – PRESENT DANGERS | Colin Teevan,Ryan Craig, David Greig, Richard Norton-Taylor & Zinnie Harris | Tricycle Theatre | ||
| 2012 | THE RIOTS | Gillian Slovo | Bernie Grant Theatre, Tottenham (Time Out Award) | ||
| 2012 | WALK IN THE WOODS | Lee Blessing | Tricycle Theatre | ||
| 2012 | TACTICAL QUESTIONING: THE BAHA MOUSA INQUIRY | Richard Norton-Taylor | Tricycle Theatre | ||
| THE GREAT GAME: a 7 hour trilogy | by Richard Bean, Lee Blessing, David Edgar, David Greig, Amit Gupta, Ron Hutchinson, Stephen Jeffreys, Abi Morgan, Ben Ockrent, Simon Stephens, Colin Teevan, Joy Wilkinson | Toured to the Guthrie Theater, Minneapolis, Berkeley Rep, Shakespeare Theater, Washington, Public Theater as well as a Command performance for Pentagon staff in February 2011 | |||
| 2010 | GRETA GARBO CAME TO DONEGAL | Frank McGuinness | Tricycle Theatre | ||
| 2007 | DOUBT | John Patrick Shanley | Tricycle Theatre | ||
| CALLED TO ACCOUNT | Richard Norton-Taylor | Tricycle Theatre | |||
| THE WAR NEXT DOOR | Tamsin Oglesby | Tricycle Theatre | |||
| DARFUR – HOW LONG IS NEVER? | Carlo Gebler & Jennifer Farmer | Tricycle Theatre | |||
| WALK HARD | Abram Hill | Tricycle Theatre | |||
| BLOODY SUNDAY | Richard Norton-Taylor | Tricycle Theatre | Winner of Olivier Award for Outstanding Achievement | ||
| JUSTIFYING WAR | Richard Norton-Taylor | Tricycle Theatre | |||
| TEN ROUNDS | Carlo Gebler | Tricycle Theatre | |||
| THE PROMISE | Aleksei Arbuzov; new version by Nick Dear | Tricycle Theatre | |||
| DREYFUS | Jean-Claude Grumberg translation by Jack Rosenthal | Tricycle Theatre | |||
| THE COLOUR OF JUSTICE – THE STEPHEN LAWRENCE INQUIRY | Richard Norton-Taylor | Tricycle Theatre; Victoria Palace Theatre / National Theatre – Lyttelton Theatre | Time Out Award | ||
| DANCE OF DEATH | August Strindberg; version by Carlo Gebler | Tricycle Theatre | |||
| RWANDA | Yemi Osofisan | Tricycle Theatre | |||
| EX-YU | Goran Stefanovski | Tricycle Theatre | |||
| HAITI | Keith Reddin | Tricycle Theatre | |||
| NUREMBERG | Richard Norton-Taylor | Tricycle Theatre | |||
| 1993 | HALF THE PICTURE | Richard Norton-Taylor & John McGrath | Tricycle Theatre; Houses of Parliament | Time Out Award; first play ever performed at the Houses of Parliament | |
| MACBETH | William Shakespeare | Tricycle Theatre | |||
| FACTORY GIRLS | Frank McGuinness | Tricycle Theatre | |||
| ONCE A CATHOLIC | Mary O’Malley | Tricycle Theatre | |||
| THE HOSTAGE | Brendan Behan | Tricycle Theatre | |||
| A LOVE SONG FOR ULSTER | Bill Morrison | Tricycle Theatre | 6 hour trilogy | ||
| TROUBLE IN MIND & WINE IN THE WILDERNESS | Alice Childress | Tricycle Theatre | |||
| A FREE COUNTRY | Jean-Claude Grumberg; translation by Tom Kempinski | Tricycle Theatre | |||
| A LONG WAY FROM HOME | Yemi Ajibade | Tricycle Theatre | |||
| ALL OR NOTHING AT ALL | Tricycle Theatre | ||||
| THE ONE O’CLOCK WORLD | Leigh Jackson | Tricycle Theatre | |||
| LONELY COWBOY | Alfred Fagon | Tricycle Theatre | |||
| GUANTANAMO | Victoria Brittain & Gillian Slovo | Tricycle Theatre &
New Ambassador’s Theatre; Culture Project in New York & Brava Theatre in San Francisco; reading at the Houses of Congress, Washington DC | |||
| 1998 | SREBRENICA | Nicolas Kent | National Theatre – Olivier Theatre | ||
| 1995 | AIN’T MISBEHAVIN’ | Lyric Theatre West End transfer from The Tricycle Theatre | |||
| 1989 | PENTECOST | Stewart Parker | Lyric Hammersmith | ||
| 1987 | THE GREAT WHITE HOPE | Howard Sackler | RSC | Time Out Award | |
| 1987 | THE TRINIDAD SISTERS | Mustapha Matura | Donmar Warehouse | ||
| 1987 | NO END OF BLAME | Howard Barker | Royal Court | ||
| 1984 | THE PLAYBOY OF THE WEST INDIES | Mustapha Matura, after JM Synge | Tricycle Theatre | ||
| 1980 | TRIAL RUN | Nigel Williams | Young Vic | ||
| 1979 | LOVE OF A GOOD MAN | Howard Barker | Royal Court | ||
| 1978 | CLASS ENEMY | Nigel Williams | Young Vic | ||
| 1975 | YOU ARE MY HEART’S DELIGHT | C.P.Taylor | Soho Theatre |